Tag Archives: Nathalie Delon

aging beautifully (Film: Le samourai – Alain Delon, 1967)

What a delight! I remember having seen Le Samouraï as a teenager 50 years ago, during the short few years of ideological and artistic de-icing of the Romanian communist regime between 1964 and 1968, when some of the world cinema crossed … Continue reading

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