Entries tagged with “Marisa Tomei”.

2012 is an electoral year in the United States, and every electoral year is preceded by a few months by the electoral films year. It must be a few months in advance which makes the electoral films year be a little different than the calendar year, but, hey, we do have the financial year, not to speak about various religious years and all are different. There are at least two good reasons for the electoral films year being different than the calendar year – the Oscars season, of course, and the fact than by June or September the real thing becomes too interesting for the Americans to care about movies any longer. So the time to watch electoral movies is about now, and The Ides of March is probably the first significant movie of electoral films year 2012.


source http://www.imdb.com/title/tt1124035/


George Clooney is again here in front of the cameras as democratic presidential candidate governor Morris and behind the cameras as the director of Ides of March. I liked his work in Good Night, and Good Luck and I liked it here again. He has a precise hand, a good cinematographic feel, is inspired in casting and directs well his actors. However the show is completely stolen by Ryan Gosling, the actor who seems to dominate the season and is better and better each film I see him in. In a focused performance Gosling succeeds to bring to screen the vision, the hope, the doubts, the ambitions of political manager Stephen Meyers who in a matter of a few campaign days apparently makes the transition from idealism to real-politik campaigner and has to decide on the delicate balance between personal truth and the greater goals of politics. Philip Seymour Hoffman who has disappeared from my radar screen after a few great roles is back with a key role in the story, Marisa Tomei has a smaller role than I would have liked but it’s always a pleasure to see her, Paul Giamatti and Evan Rachel Wood are fine in a balanced and well directed cast. The Ides of March works well without being astonishing.


(video source trailers)


Passionates of the genre and of American politics, George Clooney and Ryan Gosling’s fans will all love the film. The rest of us can watch it as a reasonably well made and well acted political thriller, and as a story of political coming-to-age in today’s American system, as well as an undeniable sign that the electoral films year has really started. There is one story line which seemed all by neglected to me and this is the personal tragedy of the young intern which is just a pretext in the development of the drama of the main characters. For once I think that what this movie lacks is a small dose of melodrama.


My preferred movie critic Roger Ebert spends about half of his review of the film explaining the title of this film. I will not repeat it here in order not to spoil your pleasure of reading it. I will just say that despite Roger’s elaboration I believe that this intelligent crime movie, maybe the most intelligent of the year (and no wonder as it is bringing to screen a novel by Michael Connelly) would have deserved a better and smartest name. Or maybe the title was intended to be one more riddle for the non-American viewers? Just kidding …


source - http://www.imdb.com/title/tt1189340/


It takes some time to decide whether to love or to hate Mick Haller, the Matthew McConaughey. He is a lawyer, son of a lawyer, he drinks in tune with all Californian private eyes in films and crime novels, he keeps guilty people out of jail, and sometimes innocent people in jail to avoid harsher sentences. Slowly you realize that he is not only smart and knowledgeable about the labyrinths of the system, but that he also would do the right thing eventually and he will do it in a smart way. And then his ex-wife is played by Marisa Tomei and his investigator partner by William Macey, so with two such partners on screen how can’t we end by liking him. (both Tomey and Macey are wonderful actors doing here two wonderful supporting roles.


(video source ClevverMovies)


With a well written story which succeeds to be interesting and clear to the viewers all the time, with many characters on screen that go beyond the standard typology defined by their roles and find to themselves a reason to be in the movie at the right time ‘The Lincoln Lawyer’ directed by Brad Furman (at his second long feature film only) stands one step ahead of the crowd as the best crime film of the season. If you are looking for good entertainment that does not leave you with the feeling that you wasted your time by the end of the screening, this could be your pick. Now, what other good title it could get? :-)